在新登场的第七季中，导演延续了其经久不衰的超人题材，而几名主要角色的生活和战斗剧情，也将该剧打造成了一部动作大片。在本季中，Clark Kent和Lex Luthor之间的关系急转直下，成为势不两立的敌人，而这一情节在超人漫迷中广为人知，也备受推崇。　　第七季还邀请了另外几名超人扮演者友情客串，为该剧增色不少，定能让观看者激动不已。　　本季中Clark将揭示更多关于其故乡星球的秘密，他的身生父母究竟是谁，他的未来旅途将会如何，以及他为什么被送到了地球。　　在上一季的末尾，Lana向Lex质问他的谎言，并坦呈她仍深爱着Clark，为此她决意离开Lex。Lana之后转向Clark寻求安慰，却被Lionel胁迫嫁给Lex，Clark一路追踪Lionel并彻底粉碎了他的阴谋。正在此时，Martian Manhunter （由Phil Morris友情出演）现身，他向Clark解释道Lionel并非敌人，而是同伴。他们的目的是阻止Lex找到Phantom Zone监狱的最后一名逃亡者，Lex妄图获取wraith的DNA以制造他的超人军队。与此同时，为了摧　　了摧毁Lex，Lois （Erica Durance饰，蝴蝶效应2）决定实施自己的行动方案。当她在Lex的基地Reeves水坝周围探查情报时，不幸遇上基地警卫并受到攻击，奄奄一息 之际她向Chloe（Allison Mack饰，别惹蚂蚁）发出求救，姗姗来迟的Chloe找到了弥留的Lois，心灰意冷的Chloe抱住了Lois，并释放了自己的潜在能量。 Lois被治愈了，而Chloe却因转嫁了Lois的致命伤而死亡。Lana在离镇时所驾的车辆发生爆炸，警方在Lex的基地以谋杀的罪名逮捕了Lex。 为了向Clark发起攻击，wraith创造了Clark最强大的敌人--Bizarro。两名超人的终极决斗将Reeves水坝付之一炬，大水袭来，每 个人都危在旦夕。　　在这一季中Clark将面临有史以来最艰难的挑战。Bizarro是专为摧毁Clark而制造的，因此势必要斗个你死我活；可怕的事故夺去了Clark 的挚爱；Clark的养母Martha (Annette O'Toole饰, 超人II)离开了华盛顿；而最大的考验则来自Clark19岁的姐姐，女超人Kara（新人Laura Vandervoort饰）。　　水坝被破坏时，Kara的飞船受到冲击飞离了地球。少女Kara为照看被送到地球的弟弟Kal-El而离开了Krypton星。在飞船中Kara停止了 生长，因此到达地球后，反而被已长大成人的弟弟照料。Kara对地球文化非常迷恋，且时不时忘记隐藏自己的超能力。她的年轻冲动数次将她置于危险的境地， 最终被Lex的雷达暴露所在。　　Lana的死使得Lex重新审视自己的生活。他自愿入狱服刑，开始帮助他人，秘密军队也被解散。但他开始关注kara和她的飞船，尽管他尚未意识到两者 的关联。与此同时，Lex与Lionel仍维持着尴尬的父子关系。他们互相猜疑，Lex很清楚Lionel向自己隐瞒了许多消息，并且参与了摧毁秘密军队 的行动。两人不遗余力地与对方周旋，期待着某一方沉不住气，从而终止两人的父子关系。　　Lois Lane对Lex的悔过自新仍抱着怀疑态度。在秘密军队对她的亲友造成巨大伤害后，Lois便发誓要击溃亿万富翁Lex。Lois的事业也蒸蒸日上，新上 任的星球日报主编Grant Gabriel (Michael Cassidy友情出演)非常赏识她积极的工作态度，并聘她为星球日报的明星记者。尽管在记者生涯上大展手脚，Lois却为自己抢了Chloe的风头而心 生愧疚。　　对 Chloe而言，与Lois的竞争失败并非最糟的事。她一边费力帮助Clark隐藏身份，一边要向Jimmy(Aaron Ashmore饰, 圣诞小屋) 隐瞒自己新生的超能力，她害怕Jimmy一旦获知真相便会弃她而去。然而，Chloe一再推迟调查报告的行为，以及她和Clark的关系，使得Jimmy 对两人的感情产生了怀疑，转而对Kara衍生好感。尽管Chloe在过去几年中一直鼓励Clark向Lana表明自己的真实身份，然而当自己面临同样处境 时，她却无法向Jimmy坦呈自己已被感染，唯恐Jimmy因此抛弃自己。　　电视剧超人前传由Alfred Gough和Miles Millar（代表作龙旋风, 蜘蛛人2）导演，重新诠释了超人传奇。该片由Alfred Gough和Miles Millar监制，其他主创人员包括Ken Horton, Kelly Souders Brian Peterson, Todd Slavkin，Darren Swimmer, James Marshall, Mike Tollin, Brian Robbins和Joe Davola。由罗宾斯制作公司，MillarGough Ink 和华纳兄弟联合发行。人物原型由Jerry Siegel和Joe Schuster创造。

2016年春天，驻村干部陈平来到豫北一个美丽的乡村，为了改变村里贫困户的窘迫现状，深切落实国家的“精准扶贫”政策，陈平深扎农村，为解决老百姓的民生问题煞费苦心。　　然而理想是丰满的，现实是骨感的，村里不同贫困户面临的困境都截然不同，有的人因家庭和生意变故酗酒成瘾，一蹶不振 ；有的人否认自己是贫困户，消极避世；有的人天性好吃懒做，丧失斗志......面对种种棘手难题，陈平陷入了思考与斗争之中......

故事发生在世界的都会纽约，四个身份不同、背景不同的女人汤潘、凌风和何小藕因各自的心愿来到纽约进行圆梦，她们从事业的最低谷开始做起，经历异国他乡的人事沧桑，面对爱情、生活的艰难选择，最终得到自己的人生梦想。　　汤潘只身从中国大陆来到美国，一边在纽约时装学院学习时装设计，一边苦苦寻找失踪的爱人———画家荀大路。通过自己的努力，汤潘最终成为著名时装设计师，而凌风、凌姐、何小藕等人也在纽约开始了各自不同的故事

第二季阵容、剧目、赛制、模式四大板块全新升级，六大剧目在完成影视化拍摄后，进行阶段轮播竞争，激烈争夺进入打剧空间，为剧目累积开播值。最终选择一部剧目，通过影视化的呈现形式，孵化出更符合时代共感的情景喜剧，带动全民共同打造剧本多元化、形式多样化的剧综IP。

Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

20世纪40年代，海内外都笼罩在战争的阴影之中，就被奴役和占领的华夏大地更是一片疮痍。善良而美丽的普通上海女工金妹（上官云珠 饰），在回家的路上遭受日寇欺凌。危难时刻她得到爱国青年孟南（周峰 饰）和李新群（黄宗英 饰）的救助。但这一事件给她带来巨大的阴影，金妹被厂方无情解雇，丈夫又遭到流氓毒打失明。苦难的生活逼迫她走向社会的最黑暗角落。另一方面，孟、李二人的朋友梁若英（沙莉 饰）此前与丈夫章玉良（赵丹 饰）离婚，另嫁他人过起养尊处优的太太生活。现在的丈夫投敌叛国，与孟、李他们截然对立，若英也面临重要的选择。　　本片根据田汉的同名话剧改编。

弗朗西斯科和一群建筑工人正在墨西哥城建造一座豪宅。 在他的兄弟意外现场死亡之后，弗朗西斯科得知他的丧偶嫂子将不会从房子的富人那里得到赔偿。 自己和他的同事经历一系列虐待之后，他试图获得正义，选择走法律途径 - 但世界最终会给他回馈吗？

两个男人在不同时间同时爱上一个女人的故事

影片《不做路人甲》的故事讲述了少林俗家弟子任秋雨（释延俊饰）想凭借绝技童子功在娱乐圈打出一片天地，成为功夫巨星，无奈半路遇到龙套大学生东方茗（王严茗饰）和农民工白日梦（彭少勇饰），三人使出十八般武艺成为跟组演员。不料任秋雨一开始便与武术指导龙师父结下梁子，东方茗因打戏瞬间爱上了武替安宁（梦凡雪饰），而白日梦刚进剧组就被农村对象缠着回家结婚，于是三个怀着“梦想”的群众演员颇具“情怀”的故事终于上演了……

曾经走过很长的一段路，小时候的吴峰因为母亲的离开，仍然活在记忆中，吴峰的伤害仍在继续，他只有每天混沌的过着每一天。他用自己的方式反复寻觅着母亲的影子、只是选择性的遗忘了一些不美好的人和事，但对母亲的记忆却随着年龄的增长越来越清晰、思念也越发强烈。但母亲的脸在记忆中却越来越模糊不清，在吴峰唯一拥有的他和母亲的半张合照中，母亲的脸却是被抠掉的，这些细节，反而令吴峰越发的想要追回对母亲和对童年的记忆。吴峰利用一台老式的胶片照相机拍到记忆中相似的背影等等。。。

一名建筑公司老板策划震惊全国的押钞车抢劫案，计划失败，开始逃亡之路。公正刚直的警察为揪出这名嫌疑人，退休后只身前往边境城市，却遇上一个洗心革面的「陌生人」……然而，在法律之下，没有人能选择赎罪的方式。