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谈谈情练练武粤语
大陆2002
《谈谈情·练练武》(大陆易名:《青春兵团》)是一部由中国国际电视总公司与香港无限电视台联合摄制的励志电视剧,通过北京、香港两地青年人一起学习武术并从中体会到中华武术精髓的过程,激励每一个人努力拚搏,积极争取的态度去面对情感和事业。  吴家杰﹝林保怡﹞是计算机公司的推广经理,被公司派往北京参加培训计划。杰没想到,计划竟包括武术课程!更叫杰意外的是,他竟在武术学院重遇宿敌女歌星殷彩儿﹝郭羡妮﹞和被他辞退了公司信差林木水﹝邓健泓﹞。原来儿为了能打入美国市场而到北京习武。这三个本来话不投机的香港人,此际连成一线,视北京的武术教练孙正﹝陈之辉﹞为共同敌人。杰对武术助教何丹﹝龚蓓苾﹞有好感,可惜她另有所爱。武术学院朝夕相对的日子,让杰、儿和水明白到正要求严格,只为培养他们的武术精神,三人不禁对正肃然起敬,杰更与正成了莫逆之交。  回到香港,杰发现大权旁落,遂愤而辞职。另方面,儿的地位亦被新晋女歌手取替了。杰和儿同病相怜,一同创业。当杰以为与儿可以再进一步时,儿却因事业有起色而否认恋情。此时,丹为了助男友完成梦想而来香港当动作替身。杰与丹爱火重燃,儿看在眼里满不是味儿,却因尊严而开不了口。

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荣耀六十年1938
英国英语1938
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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观音今年十二岁
大陆国语1988
在地处偏僻的大湾村有一座年久失修的破庙,这座庙一半用来供奉观世音菩萨,一半用来做小学教室。络绎不绝的香客和团团香雾常搅得学生们上不好课。老师白娜为此几次我村长,要求不能继续让观音和学生们做邻居了。可是村长认为,要使村子富裕就离不开香客们的香资。12岁的小姑娘海玲是学校里的好学生,她看见白老师为难,心里十分难过。一天傍晚,海玲和同学常小兔偷偷翻墙进庙,先用弹弓打,后用蜡烛熏,最后竟然把铁观音扳倒在地。第二天,常奶奶和众香客竟以为观音娘娘落泪,惊恐万分,邀请邻村的张仙婆来跳神,想听听娘娘有何仙示。海玲和小兔也在人群中观看,并商量出一个以毒攻毒的办法。清晨,在村口的大榕树下,海玲双手合十,双目紧闭地会在一块青条石上,小兔叫来了许多老婆婆,大家都说海玲是观音娘娘附身,海玲也装模作样地让香客们每人搬七七四十九块砖至南山坡建庙。虔诚的香客们连连磕头称是。自从海玲被观音附身后,她家门口经常有香客们送来的许多食品,海玲的母亲十分高兴。白老师刚填完海玲的学习奖状,听说她在扮小巫婆,十分气愤。鲁老师为小兔和海玲能想出这个妙计欢喜,叮嘱他俩对白老师先隐瞒真情,待庙搬走后再对她讲明。可是连同学们也嘲笑海玲是个小巫婆,海玲幼小的心中充满矛盾和痛苦。一个老婆婆硬塞给了白老师一篮鸡蛋,称赞她观音娘娘能看中海玲多亏你教育得好,白老师又气又急;正巧她的恋人从城里来看望她,希望她回城工作。白老师犹豫再三,终于决定要从封建势力中救回孩子。她不辞辛劳地找村长和蜡烛厂厂长说理。她的倔强与执著更加深了恋人对她的爱。海玲在白老师的关怀下将计就计,在一次跳神集会上揭穿了姑娘附身的把戏,使虔诚的香客们恍然大悟。

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